Contents

The Development of Quyi Discipline and the Construction of the Chinese theatrical

System:

An Interview with Hao Rong, President of the Central Academy of Drama…………………………………………………………………… Hao Rong Zhou Quan 1

Mimesis and its Influence on Ancient Greek Artistic Creation……………… Li Yongyin 21

Two Ideographic Forms of Speech: How Dramatic Narrative Achieve the Purpose of

“Narration”……………………………………………………………………… Yuan Guoxing 32

Cultural Community in Dilemma: “Post-realism” in American West Asian Plays………………………………………………………… Guo Yingjian Zhang Chengwen 42

Conclusion of the Tradition: Crisis of Cultural Community in Anna in the Tropics, a

Contemporary Cuban American Drama……………………………………… Liu Xianghui 58

Exploring Community and Sisterhood in The American Left-wing Jewish Theatre;

Focus on Alice in Bed…………………………………………………………… Wang Kai 69

Negative Affect and the Reconstruction of Affective Community in Satellites…………………………………………………………………………… Zhang Guoqing 80

A Second Discourse on the Aesthetics of Shadow Puppetry Art…………… Ma Guojun 90

The Origin of Asian Shadow Theatre………………………………………… Zhou Junjie 101

A Brief Discussion on Chinese and Japanese Ghost Mask…………… Quan Xiaofang 109

Recently Uncovered Yuanben Mural of Yuan Dynasty and its Historical Value………………………………………………………………… Yan Baoquan Chen Feng 122

Guilt and Divinity: Analyzing “the Episode of Polyneices” from Sophocles’ The Oedipus

Coloneus………………………………………………………………………… Zhang Xing 134

Construction of Dystopian and Eruption of Imagination:Edward Bond’s Theatre-inEducation………………………………………………………………………… Zhang Qing 146

Cultural Capital, Consumer Motivation and Consumer Loyalty of Chinese Urban

Theatre…………………………………………………………… Chen Shiguo Huang Jiajia 157