Contents

Artistic Legacy of Chinese Drama in the 20th Century…………………… Hu Xingliang 1

What is a Good Drama? Discussion Following up on Ibsen and Fosse’s Answers…………………………………………………………………………………… Wang Yuli 23

Exploring Digital “Image Facts”: A Developmental and Media Philosophical Inquiry……………………………………………………………………………… Yu Ji Qin Ke 38

Ouyang Yuqian and the Construction of the Chinese Theatrical System: Insights from the 1958 Drama Art Symposium…………………………………… Chen Jie Yang Le 47

New Images in Modern Chinese Drama: Pan Jinlian and Female Characters Crafted by Ouyang Yuqian……………………………………………………………… Guo Fumin 60

Crafting a New Era in Chinese Drama Education: Ouyang Yuqian’s Pioneering Approach to National Drama Directing Education…………………………… Yang Shuo 75

Analyzing “Théâtre des Paroles” from a Postmodern Perspective: the Distinctive Features of Valère Novarina’s Plays……………………………………… Gong Baorong 87

Postmigrant Theatre in Contemporary German Theatre……………………… Hu Xuan 99

Postmodern Private Cinema and Hong Shangsoo’s Inheritance and Renewal of French New Wave Legacy…………………………………………………………………… Liu Shi 112

Film Infiltration of Nazi Germany in Argentina (1993-1945)………………… Wang Jian 127

The Birth of the “Cinematic Bricoleur”: Zheng Zhegu and Early Chinese Film Acting…………………………………………………………………………………… Jia Binwu 147

The “Path” of Early Drama’s Dissemination and Acceptance

— Drama in Entertainment Venues in Shanghai in the 1920s and 1930s…… Zhao Ji 160