Contents

Lu Xun on Spoken Drama ………………………………Zhuo Guangping  5

Notes on “National Theatre”      ……………………….. Sun Yue 13

Influences of Chinese Traditional Drama on the Acting

of Spoken Drama  ……………………………….. Qi Jing 20

Chinese Saga TV Series: A Critique from the Perspective

of Modernity     ………………………………. Zhang Bin 29

Theatrical Environment of the Mulian Drama ………… Ouyang Youhui 39

Some Questions on “Ruan Mo Ni”  ………………………. Wu Cuijuan 49

An Examination of “Bao Lao”     ………………………… Liu Linlin 59

Han-Tang Classic Tradition and Kyoto School’s Drama Research

..………………………………………………………..Tong Ning 67

Théâtre du Peuple in France in the First Half of the 20th Century….Luo Tian 70

The Visual Theatre of Achim Freyer      …………………Liu Qin Lin 80

Andromache: A Constant yet Changing Theatrical Theme

    ………………………………………………………………………… Zhou Xingyue 88

Glengarry Glen Rossby David Mamet: An Interpretation………… … Ke Ying 100

Polyphonics in Murder in the Cathedral by T. S. Eliot ….. Yu Youming 107

The Liubimovka Festival in Russia        ……………………………Wang Shufu 118

Mutually Complementary Stanislavski and Meyerhold …………………Xu Qi 129

Executive Editor in Chief         Shen Lin

Editors                        Huang Jue   Zhao Zhiyong

The Central Academy of Drama

39 Dong Mian Hua Hutong, East District, Beijing 100710, China

Tel. 0086 10 64056580,  0086 10 64013687

Email: xuebao@chntheatre.edu.cn, xijuxuebao@yahoo.com.cn