Contents

Anthropology and Theatre Study……………………………………………………………………………………Li Xianglin

Implications of The Empty Space……………………………………………………………………………………….Liu Libin

What Is Behind the Jargon (Part II) ……………………………. Filshtinskiy Veniamin, trans. Fu Weifeng

Some Thoughts on the Performance of Hidden Fees…………………………………………………Yang Shuo

The Lighting Design of The Inspector General…………………………………………………….Yin Tianfu et al.

Lectures on Polish Theatre: Polish Theatre of Musicality

………………………………………………………………Darius Kosiński, trans. Huang Jue and Shen Lin

Imagination and Truth: Chinese Imagination in David Henry Hwang’s Trilogy of Chinese American……………………………………………………………………………………………………………………Chen Guangyu

Modern Analogy and Stage Presentation: Interpretation of Thornton Wilder’s Our Town.………………………………………………………………………………………………Dan Hansong, Liu Haiping

From the New Play Comrade Association to the Chunliu Theatre……………………………Wang Fengxia

The Real Origin of The True and Faked Uncle ………………………………………………………….Wu Xiaoqiao

The Reforms and Cultural Development of the Shanghai New Stage………………………………………………………………………………………………………………………...Wang Xueqin

The Reformative Efforts of the Shanghai New Stage……………………………………………Chen Wenyong

The Development of Traditional Chinese Operas in the Context of Modern Media

 …………………………………………………………………………………………………………………………...Wang Xingmin  

Tune Family and Role Playing of the Five Unique Copies of Plays in

 Feng Yue Jin Nang ……………………………………………………………………………………………...Ma Huaxiang  

Glocality, Capital Restructuring, and Transcolaity: Three Cases………………..

 ………………………………………………………………………………………Chen Linxia and Zhou Luxia  

Executive Editor in Chief         Shen Lin

Editor                        Huang Jue

The Central Academy of Drama

39 Dong Mian Hua Hutong, Dongcheng District, Beijing 100710, China

Tel. 0086 10 64056580

Email: xuebao@chntheatre.edu.cn, xijuxuebao@yahoo.com.cn