Contents
Evolution of Indigenous Musical Theatre Genres:
A Case Study of Ge Zai Opera…………………………………Chen Shixiong
Ouyang Yuqian’s Efforts to Build a Modern National Theatre…..Chen Jianjun
Media Image of Traditional Chinese Operas in Contemporary China
……………………………………………………………………Zhang Yanmei
A Reflection on Debates about the Idea of Theatre in Recent Years……Xu Zhen
Some Thoughts on Current Creation of Musicals in China……………Man Xinying
Action versus Reaction: A Philosophical View on Social Performance Studies
………………………………………………………….………….Sun Huizhu
Changes of Socio-cultural Mentalities as Presented in The Wilderness……Wu Ge
Pedagogical Model of Acting-Directing 4-Year Bachelor Program
in the Central Academy of China: 2002-2010…………………………..Ding Ruru
Color Plates in a Ming Dynasty Printed Copy of The Romance of West Chamber
……………………………………………………………………Liu Yuansheng
A Further Note on Guo Tu ………………………………………………………………Qin Xueren
The Role of Fu Mo in the Song Dynasty Zaju-opera……………Wang Longlin
The Relation of Roles and Characters and the Formation of
Narrative Strategies in Chinese Traditional Operas……………Cao Shenggao
Terrace, Gou Lan and Storied-Stage…………………………………Cao Fei
“Masters-and-Servants”, Strangers and Partners: Evolution of
Playwright-Director Relations in the 20th Century France ……….. Gong Baorong
Site Specific Performance in the West: An Introduction …….. Li Qian
Sartre’s Philosophical Conception of “We” as Seen in
The Respectful Prostitute …………………………………………..Chen Xi
Editor-in-Chief Liao Xiang Hong
Executive Editor in Chief Shen Lin
Editor Huang Jue
The Central Academy of Drama
39 Dong Mian Hua Hutong, Dongcheng District, Beijing 100710, China
Tel. 0086 10 64056580
Email: xuebao@chntheatre.edu.cn, zhongxixuebao@gmail.com
