Contents
On The Cherry Orchard ……………………………………………………Peng Tao
The Dream and Reality in Bulgakov’s Plays…………………………Zhou Xianglu
From “Vampilov School” to “New Drama”: On the Starting Point and Evolution of
Contemporary Russian Drama ………………………………………Wang Shufu
From Idealism to Negativism: Nora’s Transformation ……………………Liang Fei
Robert Wilson’s Art and Politics: The 1960s and After
………………………………………………Maria Shevstova, trans. Huang Jue
The Classical French Tradition: Contradictions and Contributions
………………………………………Michel Saint-Denis, trans. Zhang Nan
Restoring the Wholeness of Human Body:
Notes on Culture is the Body by Suzuki Tadashi ……………………Zhou Xiazou
The “Emancipation Plays” in the Liberated Areas…………………Cheng Juanjuan
Dramas in China during the War agaisnt Japanese Invasion…………… Zhang Hua
Eugene O’Neil on the Amateur Stage in China: Performance in Interweaving
Cultures and Modernization of Chinese Theatre............................... Zhu Xuefeng
Role-acting, Irony and Utopia in Ding Xilin’s Comedies................. ........Han Chen
Inconsistency in Traditional Chinese Theatre as a Result of Limits of Aesthetic
Thinking: A Case Study of Peony Pavillion by Mei Lanfang
………………………………………………………………Zou Yuanjiang
Notes on 2011 International Stage Design Students’ Showcase and
Workshops ……………………………………………………………Sun Daqing
Notes on “Translife: International Triennial of New Media Art”………Li Mingtao
The 2nd World International Festival of GATS: A Summary……………Liu Xiaocun
Editor-in-Chief Liao Xianghong
Executive Editor in Chief Shen Lin
Editor Xu Jian, Huang Jue
The Central Academy of Drama
39 Dong Mian Hua Hutong, Dongcheng District, Beijing 100710, China
Tel. 0086 10 64056580
Email: xuebao@chntheatre.edu.cn, zhongxixuebao@gmail.com
