Contents
At the Still Point of the Turning World:
A Note on the Prague Quadrennial in 2011 ………………………… Liu Xinglin
Cecycling the Iron Curtain:
A Discussion of Two Foreign Plays by the People’s Art Theatre… Zhang Qingyan
Three Types of Epistemic Violence in Translations ………………… Chen Zhenjiao
The Dissemination, Research and Influence of Antonin Artaud’s “Theatre of Cruelty” in Chinese Mainland………………………… Han Dexing
From “Death” to “Rebirth”:
Discovery and Interpretation of O’Neill’s Lost Play Exorcism……… Kang Jianbing
Dramatic Situation and Lyricism: A Structural Analysis of Zaju-opera in the Yuan Dynasty with a Deliberationwith Mr. Luodi ………Gao Ziwen
The Phenomenon of the Same Script for both Highbrow and Popular Performances: A Discussion Arisen from the Date of Lotus in the Vat……… Huang Zhenlin
Music, Drama and Dance in the Ming dynasty: The Bell and Drum Administration, the Royal Academy, Registered Musicians and Btothels…………… Liu Shiyi
Theatre Under the Impacts of Commercialization in the Qing Dynasty Guangdong........ Gan Zichao
Local Opera Showcase and the Promotion of Contemporary Performance Arts: A Case Study of the 1st National Local Opera Showcase………………… Wang Xiutao
Three Dimensions of Reception Aesthetics in Film Studies........................... Xu Feng
Development of Film Culture and the Construction of National Image .. Chen Linxia
Diversity in Expression Explored from the Source of Theatre: A Note on 3rd International Meeting of Ancient Drama ……..……… Chen Gang
A Note on Sino-Anglo Musical Performance Workshop…………….. Li Xionghui
Editor-in-Chief Liao Xiang Hong
Executive Editor in Chief Shen Lin
Editor Xu Jian, Huang Jue
The Central Academy of Drama 39 Dong Mian Hua Hutong, Dongcheng District, Beijing 100710, China
Tel. 0086 10 64056580
Email: xuebao@chntheatre.edu.cn, zhongxixuebao@gmail.com
