Contents

Stage Art as Methodology: Review of the Prague Quadrennial 2023……… Liu Xinglin

The Evolvement and Progress of the Term “Scenography” …………………………………… [United States] Arnold

Aronson Trans. Li Xiaoman

Stanislavsky to Grotowski: Actor to Performer/Doer………………………………… [British] Maria Shevtsova

Trans. Huang Yanxi

Parody and Stage Reshaping of Classic Characters in Russian Contemporary Drama……………………………………………………………………………… Tang Kexin

Zhang Min's Advancement of Theoretical Construction of Chinese Modern Drama Performance —— A Case Study of His Directing Activities (1935-1937) Referring to Stanislavsky's Acting System………………………………………………………………………… Zhang Hua

Performance Theory and Political Identification during the “Seventeen Years”: A Case Study of Zheng Junli’s View of Stanislavski……………………… Jiang Haowei

Musical Specter in the Cultural Cold War: Myth of Integrated Community and Typical Soviet “New Man” …………… Zhang Zhen

The Development of Contemporary Cinema of Central Asia after Independence…………………………………………………………………………………… Zhou Yan

Intercultural Theatre In the Perspective of Interculturality…………………………… Ji Min

Comparative Reading of Elizaveta Bam and The Bald Soprano…………… Wei Danni

Guqin and The Original Story Transition: the Transformation of the “Xi Xiang” Story from Tragedy to Comedy…………… Guo Wei

The Depiction of Yinxi and Moni in Cultural Relic Images…………………… Chen Jianing