Contents

Metaphor and Symbol of the Simulation of Existence: On the Subject of Digital Performance………………………………………………………………… Chen Qijia Zhong Jinming

The Adventure of Digital Theatre: Experiment of “Online” Presence through the Screen…………………………………………………………………………………… Cai Yajiao

Hypermedia, Surreality, and Hyper Communication: Dynamic System of Performance Observation of Urban Audio Roaming Theatre and the Potential Interactive Crisis………………………………………………………………………………… Wang Jiajia

My Ability and Disability: A Phenomenological Inquiry into the Aesthetic Dynamic of Disabled Theatre…………………………………………………………………… Shi Ke

On New Dramaturgy………………………………………………………… Zhu Xuefeng

A Study of the Political Nature of Post-dramatic Theatre from the Perspective of Jacques Rancière’s Political Aesthetics…………………………………… Liu Chengzhen

Robert Lepage’s Visual Dramaturgy………………………………… Gao Yongjie An Jing

The Organic Layer, Narrative Layer, and Evocative Layer in the Art of Observation: Dramaturgy of Odin Teatret’s The Tree…………………………………… Zhang Ruonan

Realistic Based on Digital Image Ontology: on the Realistic Creation of Chinese Films from the Twenty-first Century…………………………………… Hou Jieyao Guan Yunan

Adaptation Dialectics and Political Dynamics:Wu Zuguang’s Film Creation (1946-1949)……………………………………………………………………………………… Su Tao

An Examination of the Versions of The Cuckoo Sings Again……………………… Yang Le

Drama Reform Guided by Feng Yuxiang in Henan Province and the Newly Discovered Anthology of New Drama…………………………………… Wang Luyao Wang Jingjing