Drama （Bimonthly） No.3  2013（Vol.149）

Contents

Interweaving Performance Cultures:Re-thinking “Intercultural Theatre”

………………………………………… ErikaFischer-Lichte, trans. Huang Jue

Problematic Aspects in the EarlyStage of Theatre Modernization in Japan

   ………………………………………………… MitsuyaMori, trans. HuangJue

The Distinctions of “Action” inGenet’s Les Bonnes ……………… Gong Baorong

Dramatic Features of StephenSondheim’s Concept Musicals …………… Luo Wei

On Mei Lanfang’s1919&1924-Public Performances in Japan

…………………………………………trans. Ran Xiaojiao

The Achievements and Limitationsof Tanaka Chicheng’s Research on the History of Chinese Traditional Opera……………………………………………Wang Susheng

An Analysis and Classification ofthe Mid-Qing Huabu Repertoire of Performances inYangzhou ……………………………………………… PeiXuelai  Wei Zhonglin

Lev Dodin: An Interview ……………………… MariaShevtsova, trans. Zhao Han

Theatre in the Former EuropeanSocialist Countries before and after the Drastic Change of the Soviet Union and East Europe …………………………… Zhu Ning

Hungarian and Universal.Introduction to the Theatre of Béla Pintér

…………………………………………………Tamás Jászay, trans. Huang Jue

Muck ………………………………………………… Béla Pintér, trans. Zhang Nan

Editor-in-Chief                 Liao Xiang Hong

Executive Editor in Chief         ShenLin

Editor                        Zhao Zhiyong, Huang Jue, Xie Mei

The CentralAcademy of Drama