Contents
Drama andMass Enlightenment in the Rural Society of Modern China—A Comparative Study on The New Village Head and River Crossing………… Jiang Ji
Adaptation,Emulation and Integration—on the Development of Modes for the New OperaProductions of the Republic of China…………………………Ai Lizhong
Shuihua(Choui Khoua)’s Theatrical Works before and since The Speech at the Yan’an Forum on Literature and Art—A Research onShuihua’s Artistic Conceptions before 1949 ………Tang Mengxiao
A Research on Da Guo Cheng, the Ritual Ceremony of Wu’an, “Nuo-nuo the Deity” and “the Three Farming Deities”…………Ma Guojun
On the Folkloric Origin of theArtistic Thoughts in the Traditional Opera of the Song & Yuan Dynasties—theBelief of Retribution as the Core………Dai Feng
Discussion on Chinese Religious Histrionics:
TakingSouthern Fujian “Buddhist Drama” as an Example………………Luo Jing
Selected Discussion on the Characteristics ofthe True Stories as the Material for Bao Gong Plays………………Fu Dixiu
Orientalism with Eastern Participants againstthe Cross-cultural Background —Jackie Chan’s Hollywood Movies as an IndividualCase…………… Chen Linxia
The Image of “Goblins” in the HeterogeneousSpace—on the Aesthetic Narrative of Chinese Fantasy Films………Yuan Wenli
Katrin Brack: All is Possible for the Set…………………………………Liu Xinglin
On theDifferences between Costume in Performance and Costume in Real Life…………ZhaoWeiyue
A Review of the 2012 Annual Conference of theCommittee of Directors, China Theatre Association, and the Directors’ Forum…………………………Yang Shuo
The Journey from “Irrepresentable”to “Representable” :A Comparative Study of Garcia Lorca’s El Público and La Casa de Bernarda Alba…………………Bu Shan
El Público......…………………Federico García Lorcatrans. by Bu Shan
Editor-in-Chief Liao Xiang Hong
Executive Editor in Chief ShenLin
Editor Xu Jian, Liu Xiaocun
The CentralAcademy of Drama
39 Dong MianHua Hutong, Dongcheng District, Beijing 100710, China
Tel. 0086 1064056580
Email: xuebao@chntheatre.edu.cn,zhongxixuebao@gmail.com
