A Plebeian Ode to Confucianism: Thematic Analysis of Dou Er’s Tragedy
……………………………………………………………………Yang Jian 5
A Survey of Chinese Temple Theatre Venues…………………Che Wenming 17
The Social Function of Gui Zhou “Nuo” Ritual Theatre
in Patriarchal Society ……………………………………Tan Jia Sheng 41
Body, Imagination, and Power: A Reading of the Relationship between
Zhang Sheng and Cui Yinying in the Story of the West Chamber
……………………………………………………………….Zhou Xiazou 49
The Body Culture in Sichuan Opera … …………………… Zhang Min 56
Preference of Histrionics over Literature
in the Aesthetics of Chinese Traditional Theatre ………….. Xiao Bing 62
The Correlation between Leftist Ideology and Humanitarianism:
the Example of Xia Yan ………………………………… Huang Ke An 70
The Non Existent Pioneering Modern Play: A Scandal in the Officialdom
……………………………………………………………..Zhang Jun 81
A Comparative Study of the First and Revised Editions
of Zhu and Gao Jian Li ……………………………………Li Chang 93
Intercultural Theatre in the Context of Globalization
……………………………………………………… Liang Yan Li 99
Creative Qualities of the Actor and Emotions of the Dramatic Role
……………………………….………………..…………. Fang Li 114
The Origin of The Element Theory ………………………Wang Kun 123
An Interview with Theodoros Terzopoulos
………………………………………Liu Xiao Cun and Tong Ning 139
Rehearsal Notes of Prometheus Unbound … Theodoros Terzopoulos 146
Executive Editor in Chief Shen Lin
Editors Huang Jue Zhao Zhiyong
The Central Academy of Drama
39 Dong Mian Hua Hutong, East District, Beijing 100710, China
Tel. 0086 10 64056580, 0086 10 64013687
Email: xuebao@chntheatre.edu.cn, xijuxuebao@yahoo.com.cn