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Drama(Quarterly) No.2 2010(Vol.136)

                     Contents



The Style of Beijing People’s Art Theatre……………………………………Liao Ben

Rethinking the National Drama Movement ……………………………………Ma Yan

Hong KongDrama Movement: Under the Influences from the Mainland…Liang Yanli

Reception of Stanislawski’s System in China seen in Theatre Studies…………Duan Li

Borrowing from Chinese Traditional Operas: Principles and Strategies of Kugan Troupe

………………………………………………………Mu Hailiang

On Xu Xu’s Art of Comedy ………………………………………………Zhao Jianxin


Shengqiang of Shadow Play in China: A Survey ………………………Zhang Dongcai

Where Did the Shadow Play in Chaozhou Originate ……………………Deng Qiying

The Archetype of “Romance in Heaven”………………………………Yan Jianzhen

“The Legend of Goddess” in Wenzhou Drum Ballad…………………………Li Wei


Spanish Theatre during the Civil War …………………………………………Bu Shan

Peter Brook and The Tempest …………………………………… ……Deng Xiaoling


Hong Kong’s Dilemma: Political Awareness, Re-colonialization, and Prospect of Identity Building——A Discussion Based on Hong Kong Audience’s Reception of The Founding of a Republic and The Message                                    

…………………………………………………………………………………………Chen Linxia

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