The Function of Changmian in Chinese Opera

—— With Wang Guowei’s Definition of Chinese Opera as “Storytelling Through Songs and Dance” Revised……Fu Jin

On the Concept of “View of Drama” in the Related Debates……Mao Fuguo

Translation and the Concept of Theatricality of Chinese Drama……Fang Guilin

Drama as a Magic Cube: Iterative, Transboundary and Intercultural—— A Reflection on Luo Jinlin’s Drama Career……Wu Ge

The Other, Original-Self and Modernity Transformation: Three Different Stage

Presentations of Scholar Dong and Mrs. Li and the Transformation of Zeng Jingping's View of Opera……Wang Yizhen

Robert Wilson’s Orlando: The Advanced Development and New Dilemma of the

 Creative Mode of “Western Drama’s Chinese Opera Adaption”……Cheng Jiaojiao

“Semi-Trendy Drama”: the New Features and Changes of Shanghai's Trendy Dramas

before and after the Revolution of 1911……Gu Shuguang

Yin Bian Yan Yu is not the Only Blueprint for Civilized Drama

—— A New Discussion on the Relationship between Shakespeare's Chinese Translation

and Stage Performance in the Late Qing Dynasty and Early Ming Dynasty……Li Yun

Modification and Standardization: Evaluating of Selected Yuan Zaju……Wang Yongen

Four Mistakes in Tang Xi Nong……Li Guotao Zhou Hongxia

Festivals, Rituals, and Revolutions: Exploring the Theatrical Energy of the San Francisco Mime Troupe……Li Shixue

Adaptation and reshaping Irish identity: Marina Carr’s Adaptation of Euripides’ Tragedy……Qi Yaping