Drama （Bimonthly） No.3  2014（Vol.155）

Contents

Reflections on Performing Talents Training and the Curriculum for

Beijing Opera Performance  …………………………………………… Guo Yuejin

On Mei Lanfang’s New Concept from the Perspective of the

Stylized Performing of Ancient Costume Modern Play  ……………… Liang Yan

On “Dui” Pattern and its Cultural Features in Performing Art …………Ma Guojun

The Transition of Yue Opera in the Early Period of the Republic of China … Fu Jin

The Latest Textual Criticism on the Assumption of the Open Balcony

………………………………………………………………………… Wang Luwei

Stanislavski’s System and the Reform of Chinese Traditional Operas

………………………………………………………………………… Guo Yuqiong

On Early Modern British Sumptuary Law, Social Order and National Identity from

Studies on the Costumes in Shakespeare's Plays ………………………… Hu Peng

The Cornerstone of Studies on Historical Material about Drama …………… Zhao Ji

Special Effects Makeup and Professional Qualities of Makeup Artists

………………………………………………………………………… Sun Xiaohong

Adopting Western Learning for Practical Application in China

—— an Analysis of the Designing Concept of a Contemporary Stage Designing Artist Xue Dianjie ………………………………………………… Zhang Huaxiang

Frau Höss and Her Friends ………………………………………Gunilla Hemming

An Overview on the First Conference of Global Theater Education and

the Third Theater Festival for Asian Theater Students ………………… Ma Xiao