Drama （Bimonthly） No.5  2013（Vol.151）

Contents

Exploration of Reasons for the Rise of Dan on Peking Opera Stage………Ren Rong

Mei Lanfang’s Inheritance and Advancement of Tan Xinpei’s Innovation

………………………………………………………………………Zou Yuanjiang

Lu Xun on Mei Lanfang and Peking Opera……………………………Guo Yuqiong

On the Origin of the Pond-Stage………………………………………Zhang Fan  

From Singing to Operatic Excerpts………………………………………You Haiyan    

A Field Report on Chuiqiang Troupe in Linqing……………………………He Lili

Mise en Scène of Traditional Opera Performances………………………Wu Yanqiu

Designing Animal Figures for the Contemporary Stage……………………Tian Dan

Traditional Aesthetics and Contemporary Director’s Theatre in China………Li Yadi

Reconsidering the “Orientation” of Chinese Drama…………………………Xu Zhen

Chen Zhice’s Adaptations of “Foreign” Plays………………Hu Bin & Hu Shuying

Thirty Years Chinese Work on Brecht Studies……………………………Guo Chenzi  

Through the Chinese Eye: From the Tradition of Stage Edification to Film Censorship………………………………………………………………Lin Qinghua

Broadway as seen in Data………………………………………………Zhang Wei

The 3nd world International Festival of GATS:A Summary……………Liu Xiaocun

Editor-in-Chief                 Liao Xiang Hong

Executive Editor in Chief         Shen Lin

Editor                        Liu Xiaocun, Xu Jian

The Central Academy of Drama

39 Dong Mian Hua Hutong, Dongcheng District, Beijing 100710, China

Tel. 0086 10 64056580

Email: xuebao@chntheatre.edu.cn, zhongxixuebao@gmail.com